Billie Holiday

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Billie Holiday

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Eleanora Fagan (April 7, 1915 – July 17, 1959), professionally known as Billie Holiday, was an American jazz musician and singer-songwriter with a career spanning nearly thirty years. Nicknamed "Lady Day" by her friend and music partner Lester Young, Holiday had a seminal influence on jazz music and pop singing. Her vocal style, strongly inspired by jazz instrumentalists, pioneered a new way of manipulating phrasing and tempo. Holiday was known for her vocal delivery and improvisation skills, which made up for her limited range and lack of formal music education.

After a turbulent childhood, Holiday began singing in nightclubs around Harlem. After being heard by producer John Hammond, who commended her voice, Holiday was signed to Brunswick Records in 1935. Collaborations with Teddy Wilson yielded the hit "What a Little Moonlight Can Do", which would later become a jazz standard. Throughout the 1930s and 1940s, Holiday booked mainstream success with labels such as Columbia Records and Decca Records. By the late 1940s, however, Holiday was beset with legal troubles and drug abuse. After a short prison sentence, Holiday performed a sold-out concert at Carnegie Hall. However, due to her drug and alcohol problems, her reputation deteriorated.

Though she was a successful concert performer throughout the 1950s with two further sold-out shows at Carnegie Hall, Holiday's bad health, coupled with a string of abusive relationships and ongoing drug and alcohol abuse, caused her voice to wither. Her final recordings were met with mixed reaction to her damaged voice, but were mild commercial successes. Her final album, Lady in Satin, was released in 1958. Holiday died of cirrhosis of the liver in 1959. A posthumous album, Last Recordings, was released following her death.

Much of Holiday's material has been rereleased since her death, and she is considered a legendary performer with an ongoing influence on American music. Holiday is the recipient of four Grammy awards, all of them posthumous awards for Best Historical Album. Furthermore, Holiday herself was inducted into the Grammy Hall of Fame in 1973. Lady Sings the Blues, a film centered on Holiday's life, starring Diana Ross, was released in 1972.

Life and career

1915–25: Early years

Eleanora Fagan[2][3] was born on April 7, 1915[4] in Philadelphia, the daughter of Sarah Julia "Sadie" Fagan and Clarence Holiday, an unmarried teenaged couple. Her father did not live with her mother. Not long after Holiday's birth, Clarence abandoned his family to pursue a career as a jazz banjo player and guitarist.[5] Sarah moved to Philadelphia at age 19,[6] after being evicted from her parents' home in the Sandtown-Winchester neighborhood of Baltimore, Maryland for becoming pregnant. With no support from her parents, Holiday's mother arranged for the young Holiday to stay with her older married half-sister, Eva Miller, who lived in Baltimore. Holiday, who was of African-American ancestry, was also said to have had Irish ancestors through her mother's mixed heritage.

Holiday had a difficult childhood. Her mother often took what were then known as "transportation jobs", serving on passenger railroads. Holiday was left to be raised largely by Eva Miller's mother-in-law, Martha Miller, and suffered from her mother's absences and being left in others' care for much of the first ten years of her life.[7] Holiday's autobiography, Lady Sings the Blues, first published in 1956, was sketchy on details of her early life, but much was confirmed by Stuart Nicholson in his 1995 biography of the singer. Some historians have disputed Holiday's paternity, as a copy of her birth certificate in the Baltimore archives lists the father as a man named Frank DeViese. Other historians consider this an anomaly, probably inserted by a hospital or government worker.[8] DeViese lived in Philadelphia and Sadie Harris may have known him through her work. Sadie Harris, then known as Sadie Fagan, married Philip Gough, but the marriage ended in two years. Holiday was left with Martha Miller again while her mother took more transportation jobs.[9] Holiday frequently skipped school and her truancy resulted in her being brought before the juvenile court on January 5, 1925, when she was nine years old. She was sent to The House of the Good Shepherd, a Catholic reform school. She was baptized there on March 19, 1925. After nine months in care, she was "paroled" on October 3, 1925, to her mother, who had opened a restaurant called the East Side Grill, where she and Holiday worked long hours. By the age of 11, Holiday had dropped out of school.[10]

1926–35: Attempted rape, prostitution, and early career

Holiday's mother returned to their home on December 24, 1926, to discover a neighbor, Wilbur Rich, attempting to rape Billie, but failing. She successfully fought back. Rich was arrested. Officials placed Billie in the House of the Good Shepherd under protective custody as a state witness in the rape case.[11] Holiday was released in February 1927, nearly twelve. She found a job running errands in a brothel.[12] During this time, Holiday first heard the records of Louis Armstrong and Bessie Smith. By the end of 1928, Holiday's mother decided to try her luck in Harlem, New York, and left Holiday again with Martha Miller.[13]

By early 1929, Holiday joined her mother in Harlem. Their landlady was a sharply dressed woman named Florence Williams, who ran a brothel at 151 West 140th Street. Holiday's mother became a prostitute and, within a matter of days of arriving in New York, Holiday, who had not yet turned fourteen, also became a prostitute at $5 a client.[14] On May 2, 1929, the house was raided, and Holiday and her mother were sent to prison. After spending some time in a workhouse, her mother was released in July, followed by Holiday in October, at the age of 14.

In Harlem she started singing in various night clubs. Holiday took her professional pseudonym from Billie Dove, an actress she admired, and the musician Clarence Holiday, her probable father.[3] At the outset of her career, she spelled her last name "Halliday", the birth surname of her father, but eventually changed it to "Holiday", his performing name. The young singer teamed up with a neighbor, tenor sax player Kenneth Hollan. From 1929 to 1931, they were a team, performing at clubs such as the Grey Dawn, Pod's and Jerry's on 133rd Street, and the Brooklyn Elks' Club.[15][16] Benny Goodman recalled hearing Holiday in 1931 at The Bright Spot. As her reputation grew, Holiday played at many clubs, including Mexico's and The Alhambra Bar and Grill where Charles Linton, a vocalist who later worked with Chick Webb, first met her. It was also during this period that she connected with her father, who was playing with Fletcher Henderson's band.[17]

By the end of 1932 at the age of 17, Billie Holiday replaced the singer Monette Moore at a club called Covan's on West 132nd Street. The producer John Hammond, who loved Monette Moore's singing and had come to hear her, first heard Holiday in early 1933.[18] Hammond arranged for Holiday to make her recording debut, at age 18, in November 1933 with Benny Goodman, singing two songs: "Your Mother's Son-In-Law" and "Riffin' the Scotch," the latter being her first hit. "Son-in-Law" sold 300 copies, but "Riffin' the Scotch," released on November 11, sold 5,000 copies. Hammond was quite impressed by Holiday's singing style. He said of her, "Her singing almost changed my music tastes and my musical life, because she was the first girl singer I'd come across who actually sang like an improvising jazz genius." Hammond compared Holiday favorably to Armstrong and said she had a good sense of lyric content at her young age.[19]

In 1935, Billie Holiday had a small role as a woman being abused by her lover in Duke Ellington's short Symphony in Black: A Rhapsody of Negro Life. In her scene, she sang the song "Saddest Tale."[20]